I remember well when a bunch of us as young men—Gery Deer, Chris Camp, and of course myself were watching the work of Mark Allen and Alex Green out in Las Vegas and trying to improve on the western arts that they were putting on for America. And we became faster, more accurate and more exciting as a result. Gery Deer and Chris Camp have in fact really elevated the western arts act to new levels throughout the last two decades and I have done some work in Hollywood and literature that we all hoped would ignite the next generation. And while we are far from done, the seeds of all that hard work are finally paying off. Last year I spoke about the “Rise of Adam Winrich” who came out of the Ohio WWAC class of 2005, CLICK HERE TO REVIEW, and even as the national WWAC (Wild West Arts Club) ran by Mark Allen which I was a member of for many years finally died out in the late 2000s, it looks like the legacy is living on in the young man named Loop Rawlins. Loop is just a few years older than my oldest son-in-law and is of around the same age as Adam—and like those vigorous, hungry youth who want to surpass the efforts of their elders—in this case—us, Loop has taken the various western arts, gun spinning, whip work, and particularly the lasso and really moved them to a new level as a recent member of America’s Got Talent during the month of July 2014.
Loop did a fabulous job on America’s Got Talent and even though he is very good with bullwhips, he chose to do an act with the lasso. His musical selection was wonderful and his on stage presence was energetic proving that there is quite a dramatic hunger for this art form that is uniquely American. Gery has appeared on that show and so has Chris, but Loop has taken the energy to a new level. Loop had in fact met at an early age many of the same people I call friends, he was at the 2002 Wild West Arts Convention conducted by Mark Allen and it is there that he won five international awards as a young burgeoning talent. He has since worked for Cirque Du Soleil and shot some commercials for McDonald’s, MTV and an award-winning Western film.
For people who still look at western arts performers and wonder why they do it, there is a purity to them that simply isn’t found anywhere else in any other professional venue. Loop represents the best of what America has to offer the world and it is for people like him that programs like America’s Got Talent are designed. It should be noticed that many of the young men performing regularly in Wild West Arts today have beautiful young women on their arms—particularly Adam and Loop. They are today’s “rock stars.” When I was their age, heavy metal band members attracted the type of women that are now flocking to see Adam and Loop perform. But what’s different about these young Wild West Performers is that they are straight-laced and dedicated. With the same energy they put into the thousands of hours of practice it takes to become good at these art forms, they are able to maintain long-standing relationships with attractive women.
For women with limited options these days, where 9 ½ out of 10 men in the world from the ages 16 to 60 are just absolute douches—low ambition slugs who struggle to wake up every morning with a positive thought—they know that people like Loop Rawlins is a wonderful catch. Even with all his success so far, it is hard to make a living with the Western Arts—it is hard to do what you love to do, because there aren’t many people willing to pay for it. The reason is that there just aren’t very many people in show business who know how to write about the Western Arts in an exciting way that modern audiences find attractive. In many ways, I have dedicated my efforts at resolving that end of the business—by writing content that producers might want to hire people like Loop and Adam for. My friend Gery Deer was brought in as a whip consultant for the movie The Rundown. His whip holstering system worked great, and we still use them to this day primarily because of his experience working on films like that. But the amount of motion pictures produced that calls for those skills is just dismal. Television is even worse—ironically. As I’ve reported, this is largely due to the perseverance of progressive politics which has entered show business. One of the founders of the Wild West Arts Club, Alex Green appeared in thousands of television shows and movies because in his day, Hollywood produced them and needed a Western Arts performer. These days, Anthony DeLongis is the only whip coach in Hollywood—primarily—because there just isn’t enough production going on to justify more. But in spite of the cool reception among popular culture, the new rebellion for attractive young women hoping to land a real man who thinks, loves, and lives life with traditional passion—Western Arts performers are their ticket to a good husband—feminism has left most women with few options that their biological clocks can be set by—and for them, they know Loop is the catch of a century.
When my own son-in-law was young and was attending the Ohio WWAC conventions, he had the ambition to do all the things that Loop is doing now. He wanted to learn roping, knife throwing, gun spinning, but he managed to get pretty good with a bullwhip. He even managed to win for several years the bullwhip fast draw. But he had to make a living and it is hard to get really good at what you love and still make a living that doesn’t involve that passion. I’ve managed in unique ways. I wear my whip holster with me everywhere I go, the one that Gery made for me after his experiences at The Rundown set—to remind me of what’s important. Everyone who deals with me knows about my real passion and it’s not unusual for me to pull my whips out in a parking lot of an expensive restaurant dressed in a suit and tie and crack targets out of the mouth of the curious. Like Loop, I have a family and the choices I made during my child raising years was to not take the hard life of a performer and enter business so I could make the kind of money needed to care for them. Recently I was with Chris Camp as he was unloading his “show” from the back of his van. Chris Camp is one of the best Western Acts around—he is the current high mark—but even after all his years and passion, he works hard to make ends meet. It’s not easy to say the least and he has traveled all over the world to do shows—much the way Loop is currently. Chris’s van likely has over 200,000 miles on it and it’s hardly new. But he approaches every show with enthusiasm and love no matter if the audience is several thousand to just twenty-five. When Loop said at the beginning of his America’s Got Talent presentation that he wanted to make a living for his family doing what he loved, it hit even Howard Stern hard—because like anybody who has been around knows—that is the real trick. The real dream we all have in life is to do what we love—not just work to make money. It is best to have those values aligned.
So it was nice to see Loop pushing the limits of those set before him and taking Western Arts to new levels. I wish America was filled with millions of young men just like Loop, and if I have it my way, they will be. The best thing that could happen in America is that the ratio of good men might evolve from 9 ½ out of 10 bad ones to something like 6 out of 10. Women who want good husbands deserve that opportunity if they want it, and right now—even those that want it can’t have one–because they don’t exist. But Loop is one of the good ones and it is good to see that he is pushing to break through barriers which are quite thick, and that he is determined, hopeful, and resolute to keep trying, to keep practicing, and to find that secret treasure in life defined by aligning what we do as a living with our passions. Loop’s energy at America’s Got Talent is derived from that hope and the promise that people might see the need for his art in the quest we all share toward creating a productive society built by values rooted in American culture.